A few practical things tend to come up early, so it saves time to say them plainly.

Every board is strictly one of a kind. No prints, no editions. The certificate lists the exact card order from the recorded shuffle. The size is consistent — A1 on rigid board, framed, ready to hang. The method does not change between the Inimitable pieces and the Fantasy ones; only the starting deck is different.

I can supply process notes, the shuffle footage, and clear images that show the real surface rather than a heavily edited version. Studio visits in West London are possible if you want to see the work before deciding. Commissions with a personal deck follow the same rules and can be sleeved if the original cards need to stay reversible.

I am not currently locked into exclusive representation, so conversations about group shows, a solo presentation, or placing individual boards are all open. The main thing I look for is that the gallery understands the work is the single frozen sequence and is comfortable talking about that scarcity without needing to turn it into an edition.

If that lines up with what you are planning, get in touch with a short note about the show or the context. I will reply with what is currently available and whether a visit makes sense. The rest we can sort from there.